180
Noel Laflin
2-23-15
“We
haven't got the man
(Mazel Tov, Mazel Tov)
We had when we began
(Mazel Tov, Mazel Tov)
But since your grandma came
She'll marry... what's his name?”
(Mazel Tov, Mazel Tov)
We had when we began
(Mazel Tov, Mazel Tov)
But since your grandma came
She'll marry... what's his name?”
‘Tevye’s
Dream,’ Fiddler on the Roof
You know, a good number of the stories that I tell you, dear
reader, are not what I had originally intended to tell you at all.
Case in point: I recently wrote a piece about
homesickness. But what you don’t know -
it was supposed to be about how I came to love classical music – and in
particular, the music of a long-dead Russian composer, Rimsky-Korsakov.
So, just how the hell did the final piece, “Homesick Homily”
then end up being so different from what I had originally titled, “Scheherazade
Summer”? To borrow an oft-repeated line
from the movie, Shakespeare In Love,
“It’s a mystery …”
Another recent story about “plans” – a brief trip down memory
lane that pays homage to an old neighbor who once saw something in me long ago,
started out as a tribute to an old high school journalism teacher. But the “plan”
changed half-way through the telling; words rebelled, keystrokes rearranged
themselves and the whole thing re-wired itself.
Now, I am still going to talk about that teacher someday – as well as Rimsky-Korsakov perhaps, just not
in these particular stories obviously.
This re-routing seems to happen to me all too often … It’s
got to be some form of ADD perhaps. Oh, look, what’s that!
Now, many professional writers point out time and again that
one should have a “clear objective” in mind before they begin to write. Okay, yes, I usually do have a clear
objective in mind when I sit to write.
Otherwise, what’s the point?
But all too frequently along the way – say into the second or
third paragraph for example, my words decide to make a U-Turn on their own
accord. They often times disregard what
my original route was altogether, cleverly unbuckle my seat belt, unceremoniously
toss me headlong into the back seat, and head for a new destination. And they
get so hyped up in the process.
Jesus! They took the
wheel!
I do not know how to explain it, other than to say that the
words just freakin’ take over – they (to personify the little fuckers) mutiny
and take sudden command of my wordy vessel. Oh, the traveling metaphors are out
of control now …
And like the poor milkman in Fiddler on the Roof, I haven’t got the man, I had when I began.
(Please see the movie or catch a community performance of the musical if you
are the least bit befuddled as to the referencing here).
But, I have to admit it now,
I kind of like the surprise. The
new guy turned out to be pretty interesting anyway.
And here is the strange part – I do not seem to mind. In fact, I usually welcome the new direction
as it suddenly becomes an unplanned trip – and you know how they are frequently
the best kind of adventure of all.
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